Honestly, ancient Greek myth never really appealed to me as a kid. I was a lot more interested in Nordic legend . . . which probably had a lot more to do with the mid-'80's work of artist/writer Walt Simonson than anything else . . . but then reading about Snorri Sturlson and some of the original legends, they resonated with me a lot more than stories of Zeus and Hercules and Hera and so on . . . and it got weird in places. The ancient Norse believed that the dome of the sky was held up by four dwarves named North, South, East and West. There was a mystical squirrel messenger scampering away on the tree of life. Kind of interesting stuff . . . but since then I've been able to appreciate the appeal of ancient Greek myth. . .
One of the more interesting treatments of Greek myth on a local stage in recent years has been Next Act's production of Ariel Dorfman's Purgatorio. David Cecsarini and Angela Iannone played characters based on Jason and Medea. It was a really interesting drama that sort of transcended the Greek iconography to tell kind of a universal story of a great many things between two people and the things they do.
This summer, Fools For Tragedy explores the story of Medea in a modern context as well . . . in a script which I believe was written by fate and Jordan Gwiazdowski--(author of Waiting . . . and inventor of a mixed drink known as the Esteemed Colonel Wallbanger.) Earlier this month Gwiazdowski staged a reading of the script with Amber Smith in the role of Medea and himself as Jason. Sounds like fun.
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The show runs August 12th through the 22nd at The Villa Terrace.
More info will be announced as it becomes available . . .