Drummer Shelly Manne is often overlooked by jazz historians, but he had an important role in establishing the cool “West Coast Sound” of the 1950s. The new two-disc set is comprised of previously unreleased concert recordings with accomplished combos from the 1958 Monterey Jazz Festival (the event’s debut year) and a 1966 club date in Seattle. Manne set a furious tempo on Oscar Hammerstein’s “Softly, As in a Morning Sunrise,” hurling along at a dizzying tempo. And he imaginatively reworked George Gershwin’s “Summertime” with flutist Frank Strozier coming in like a cool Catalina breeze. He easily pulled off ambitious compositions such as “Quartet (Suite in Four Movements),” written by Stan Kenton’s arranger Bill Holman.
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