The timeless romance of Romeo and Juliet is very difficult to bring to the stage with any authenticity. Its power and purity have been diluted over the years as the story has become indelibly infused in the culture. In an intimate outdoor production this summer, Door Shakespeare brings genuine passion to the beauty and tragedy of the story. Director Leda Hoffmann has cleverly worked the small canvas of a clearing in Door County. Aaron Kopec’s smart, vertically oriented set allows for a free, dynamic and open flow of action.
Steven Lee Johnson and Heather Chrisler manage the title roles with ample charm, but this production is defined by compelling supporting performances. Mark Corkins commands nearly overwhelming authority in the role of the Capulet patriarch. This makes for an oppressive home for Juliet that conjures sympathy for her. James Pickering plays a more even-tempered and wise authority with a deeply respectable stage presence as Friar Laurence. Jonathan Wainwright brings a dark charisma to the role of Mercutio. He’s got a world-weary wit that fits the mood remarkably well.
The 20th-century production design gives the drama an interesting feel, including gritty fight scenes with switchblades. The menacing nature of aggression loses a bit of the brutality it might otherwise have with bigger weapons, but the acting covers for it quite well.
Door Shakespeare’s production of Romeo and Juliet alternates with the company's production of The Tempest through Aug. 15 at Björklunden in Bailey’s Harbor, 8093 State Highway 57. For tickets, call 920-839-1500 or visit doorshakespeare.com.
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